Latest Reviews *The Magic Flute* at Riverside Studios, Hammersmith

http://www.thetimes.co.uk/tto/arts/music/livereviews/article3682471.ece

‘Pamina/Constanze is outstandingly sung and acted by Daisy Brown — whom I long to hear again.’ Hilary Finch, The Times (February 2013)

http://www.newstatesman.com/cultural-capital/2013/03/flute-magic-they-come

‘It’s worth holding out for Daisy Brown’s Pamina who has the kind of winsome innocence (coupled with the best vocals of the evening) every fairytale princesss should have. Her “Ach, ich fühl’s” in particular is beautifully controlled and judged.’ Alexandra Coghlan, New Statesman (March 2013)

http://www.timeout.com/london/music/the-magic-flute

‘Daisy Brown’s ravishingly sung Pamina stood out’ Timeout (February 2013)

http://www.fourthwallmagazine.co.uk/2013/02/review-the-magic-flute-riverside-studios/

‘We are… granted legitimate access to the story during Daisy Brown’s breath-taking performance as both Mozart’s wife and Pamina. Alarmingly talented, Brown sings and acts with all the passion and conviction of a wide-eyed ingénue.’ Emily Hardy, Forthwall Magazine (February 2013)

http://www.standard.co.uk/goingout/music/the-magic-flute-riverside-studios–review-8486871.html

‘Daisy Brown’s Pamina is even better — enchantingly wide-eyed and game in the skits but with gravity and vocal chops to melt your heart come the second act.’ Kieron Quirke, Evening Standard (February 2013)

 

Merry Opera (Polly Hancock)

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